Literary Devices|Imagery

What is Imagery in Literature? (Definition)

Imagery refers to language that creates vivid sensory experiences for the reader. While imagery is most commonly visual, it can appeal to any of the five senses: sight, sound, smell, taste, and touch. Strong imagery helps readers see, hear, and feel what the writer describes.

In literary analysis, imagery often refers not just to individual descriptions but to sustained patterns of sensory language throughout a text. Romeo and Juliet's imagery of light and darkness, for instance, is not a single metaphor but a system of connected images that develops meaning across the entire play.

Examples of Imagery

Example 1: Imagery in Romeo and Juliet

William Shakespeare
It is the east, and Juliet is the sun. / Arise, fair sun, and kill the envious moon.

Shakespeare creates visual imagery of sunrise—Juliet as a light source that transforms darkness into day. This image is part of the play's sustained pattern of light and dark imagery that connects love with illumination and the outside world with shadow.

Example 2: Imagery in Great Expectations

Charles Dickens
Ours was the marsh country, down by the river, within, as the river wound, twenty miles of the sea.

Dickens opens with imagery of the flat, exposed marshland—visual (grey landscape), tactile (cold wind), and auditory (distant sea). The bleak sensory details establish both setting and mood, making the reader feel Pip's isolation.

Example 3: Imagery in Jane Eyre

Charlotte Brontë
Tongues of flame darted round the bed: the curtains were on fire. In the midst of blaze and vapour, Mr. Rochester lay stretched motionless, in deep sleep.

Brontë's fire imagery is visual (darting tongues of flame), tactile (heat closing around the sleeping body), and almost gustatory in its hunger. The image of fire that can either kill Rochester or bring Jane to him captures the ambivalence of passion in the novel: the same force that endangers can also illuminate and rescue.