Humanities & Arts

Creative Writing

Craft fiction, poetry, nonfiction, and screenwriting through workshops, peer critique, and portfolio development.

Overview

Creative Writing is the study and practice of writing as an art form — fiction, poetry, creative nonfiction, screenwriting, and playwriting. It is a workshop-based discipline where students develop their craft through guided practice, peer critique, and close study of literary models. The goal is not just to write, but to write with intention, skill, and a distinctive voice.

The curriculum covers fiction writing (short stories, novels), poetry, creative nonfiction (memoir, essay, literary journalism), screenwriting or playwriting, narrative structure, character development, voice and style, literary analysis, and editing and revision. Workshop courses — where students share work and receive structured feedback — are the heart of the programme. Students also study literature extensively, understanding the traditions they are writing within and against. Most programmes culminate in a portfolio or thesis of original work.

Creative writing graduates work as authors, screenwriters, copywriters, content strategists, editors, journalists, teachers, and communications professionals. The skills developed — storytelling, audience awareness, precise language use, revision discipline, and empathy for diverse perspectives — are increasingly valued in marketing, UX writing, brand strategy, and media. Many notable writers across genres hold MFA or BA degrees in creative writing.

The University of Iowa's Writers' Workshop—founded in 1936—is the first and most prestigious Master of Fine Arts (MFA) programme in creative writing, and its workshop model of peer critique and guided revision has been replicated by programmes worldwide. The University of East Anglia (UEA) in the UK, founded by novelists Malcolm Bradbury and Angus Wilson, is Britain's most distinguished creative writing programme and has produced Booker Prize winners including Kazuo Ishiguro and Ian McEwan. Columbia University's MFA programme benefits from New York's publishing ecosystem, giving students direct access to agents, editors, and the literary world. At the undergraduate level, standalone creative writing degrees are less common than graduate MFA programmes—many students pursue English literature with a creative writing concentration before applying to an MFA. The University of Oxford's MSt in Creative Writing is a highly selective, part-time programme that attracts established and emerging writers seeking the intellectual rigour of an Oxford education alongside craft development.

Career Outcomes & Salary

What jobs can I get and how much will I earn?

Entry Level0–2 years

$32,000–$50,000 (US) / £20,000–£28,000 (UK) / A$42,000–$55,000 (AU)

Editorial AssistantContent WriterCopywriterCommunications AssociateSocial Media Writer
Top employers
Publishing houses (Penguin, HarperCollins)Media companiesAdvertising agenciesNon-profit organizationsDigital content companiesFreelance
Mid Career3–8 years

$48,000–$90,000 (US) / £30,000–£55,000 (UK) / A$55,000–$85,000 (AU)

Senior EditorContent StrategistScreenwriterCreative Director (Copy)Published AuthorWriting Instructor
Senior10+ years

$70,000–$180,000+ (US, established authors or senior editorial/creative roles)

Literary AgentCreative Writing ProfessorBestselling AuthorHead of ContentExecutive Producer (Writing)
Industries
PublishingMedia & JournalismAdvertising & MarketingFilm & Television (Screenwriting)Education (MFA teaching)Tech (Content Strategy/UX Writing)Non-profit Communications
Demand Outlook

Moderate—demand for strong writers is persistent across all industries, but the specific creative writing career path (publishing, literary fiction) is highly competitive. The strongest job market is for writers who can adapt their skills to content strategy, UX writing, brand storytelling, and digital media. Teaching creative writing at the university level requires an MFA and publication record.

What You'll Learn

Core topics and skills covered in this degree

Fiction Writing (Short Stories & Novels)
Poetry
Creative Nonfiction & Memoir
Screenwriting / Playwriting
Narrative Structure & Character Development
Voice, Style & Revision
Workshop Critique & Peer Feedback
Literary Analysis

Is This Right For Me?

Honest self-assessment to help you decide

WorkloadModerate—expect 12–20 hours per week outside class on writing, revising, reading, and preparing workshop feedback. The hours are flexible but the emotional labor of sharing and receiving feedback on personal creative work is significant. Quality of output matters more than quantity.
Math LevelNone—creative writing involves no mathematical content whatsoever.
CreativityHeavily creative—the entire programme is oriented toward creative production. Structure exists in literary analysis courses and in the formal constraints of craft (meter, form, narrative structure), but the dominant mode is creative experimentation.
TeamworkBoth—writing itself is deeply solitary, but the workshop model means you regularly share work, give and receive feedback, and discuss craft with peers. The balance between private creation and public critique defines the creative writing experience.

You'll thrive if...

  • You write because you can't not write—the urge to put words on paper is a fundamental part of how you process the world
  • You're a voracious reader who pays attention to how sentences are constructed, how stories are shaped, and why certain writing moves you
  • You're open to criticism and willing to rewrite your work multiple times—creative writing programmes are built on rigorous peer feedback
  • You're curious about human experience in all its complexity and want to explore it through narrative, image, and language
  • You value craft over self-expression—you want to learn the techniques that make writing effective, not just write about yourself

Might not be for you if...

  • You find criticism of your writing painful rather than productive—workshop culture requires thick skin and the ability to separate yourself from your work
  • You don't enjoy reading—creative writing programmes are built on the assumption that you read widely and constantly
  • You want a clear, guaranteed career path with high starting salaries—creative writing requires entrepreneurial career navigation
  • You prefer writing in isolation without feedback—workshop-based programmes demand constant sharing and vulnerability
  • You see writing primarily as self-expression rather than craft—programmes emphasize technique, revision, and audience awareness
WorkloadModerate—expect 12–20 hours per week outside class on writing, revising, reading, and preparing workshop feedback. The hours are flexible but the emotional labor of sharing and receiving feedback on personal creative work is significant. Quality of output matters more than quantity.
Math IntensityNone—creative writing involves no mathematical content whatsoever.
Creativity vs StructureHeavily creative—the entire programme is oriented toward creative production. Structure exists in literary analysis courses and in the formal constraints of craft (meter, form, narrative structure), but the dominant mode is creative experimentation.
Group vs SoloBoth—writing itself is deeply solitary, but the workshop model means you regularly share work, give and receive feedback, and discuss craft with peers. The balance between private creation and public critique defines the creative writing experience.

A Day in the Life

What a typical week actually looks like

A typical week in Year 2 is built around the workshop—the defining pedagogical method of creative writing programmes worldwide. Monday starts with your Fiction Workshop, where your short story has been distributed to twelve classmates who have read it in advance and prepared written feedback. For ninety minutes, the group discusses what works, what doesn't, and why—your protagonist's motivation feels unclear, the dialogue in the second scene rings false, and the ending is too neat. You sit in silence for most of it (the 'gag rule' prevents the author from defending their work), taking notes and learning to separate ego from craft. After the workshop, your Contemporary Fiction seminar examines how Chimamanda Ngozi Adichie structures narrative perspective in Americanah.

Tuesday brings your Poetry module—this week you're studying the lyric essay, reading Claudia Rankine's Citizen and analyzing how she blurs the boundary between poetry and prose. Your own assignment is to write a sequence of three prose poems responding to a specific place, using concrete sensory detail and compression. Wednesday is your most intensive writing day: a morning spent revising your workshop story based on Monday's feedback (restructuring the timeline, cutting two pages of backstory, rewriting the dialogue from scratch) and an afternoon Form & Technique lecture on point of view—first person unreliable, third person limited, second person, and why each choice transforms the reader's experience.

Thursday features a Creative Nonfiction seminar where you're reading and analyzing personal essays by Joan Didion, James Baldwin, and Zadie Smith, then drafting your own 2,000-word essay on a topic drawn from personal experience—the challenge being to make private experience speak to something universal. Friday's Reading as a Writer class focuses on close analysis of published texts, this week examining how George Saunders builds absurdist narrative worlds while maintaining emotional truth. Weekends are for writing, revising, and reading—creative writing students quickly learn that their craft develops through daily practice, not periodic bursts of inspiration.

High School Preparation

What to study and do before university

Recommended
HL English A: LiteratureHL English A: Language & LiteratureHL Theatre (develops narrative and performative writing skills)
Helpful
HL HistoryHL PhilosophyHL Language B (any—broadens linguistic awareness)

Skills to Develop

  • Write daily—develop a consistent writing practice, even 300 words a day. The craft improves through volume and revision, not inspiration alone
  • Read voraciously and widely—fiction, poetry, creative nonfiction, drama, and across cultures and centuries. Pay attention to how authors construct sentences, build scenes, and manage pacing
  • Learn to revise ruthlessly—writing programmes emphasize rewriting over first drafts. Practice cutting your own work by 20% and observe how it improves
  • Develop your editorial eye—read published work critically, identifying what makes a particular opening, dialogue, or image effective. Understanding craft at this level prepares you for workshop feedback

Extracurriculars

  • Submit your work to literary magazines, competitions, or school publications—the experience of preparing work for an audience builds discipline and resilience
  • Start a writing group with peers who will give honest, constructive feedback—workshop culture is central to creative writing programmes
  • Keep a reading journal—note passages that impress you, analyze techniques, and reflect on what you're learning from each book
  • Attend author readings, literary festivals, or open mic events—understanding the literary community and hearing writers discuss their process is invaluable
  • Experiment across forms—try poetry, short fiction, flash fiction, creative nonfiction, and screenwriting to discover your strengths before university

How This Compares to Similar Majors

Side-by-side with related fields

Getting In — Admissions Guide

How competitive is this major and how to stand out

Competitiveness: Moderate

Creative Writing programmes are moderately competitive. Top programmes at the University of East Anglia (the UK pioneer), Bath Spa, Edinburgh, and Manchester attract strong applicants. In the US, Iowa, Michigan, and Columbia are prestigious (primarily at the MFA level). Undergraduate programmes typically require strong English results plus a writing portfolio. A-Level ABB–AAB or IB 33–37 is typical.

What Strengthens Your Application

  1. 1A writing portfolio that demonstrates range, voice, and willingness to take risks—this is usually the most important factor
  2. 2Strong English Literature or Language results showing you can analyze as well as create
  3. 3Evidence of a reading habit—programmes want writers who are also serious readers
  4. 4Publication credits, competition entries, or literary magazine involvement—showing you've engaged with the writing community
  5. 5A personal statement that shows self-awareness about your writing and what you hope to develop

Common Mistakes to Avoid

  • Submitting a portfolio of only one genre or style—programmes value range and experimentation
  • Over-polishing portfolio pieces until they lose voice and energy—authenticity matters more than perfection
  • Claiming to 'love writing' without demonstrating a reading practice—creative writing programmes expect you to be a reader first

Interview & Admission Tests

Some UK programmes interview applicants, often discussing your portfolio, your reading habits, and your goals as a writer. Be prepared to talk about specific authors who influence you, what you're currently reading, and what you'd like to explore in the programme. Genuine enthusiasm for reading and writing matters more than polished answers.

Portfolio Required

Most programmes require a portfolio of 2,000–5,000 words of creative work. Include a mix of forms (fiction, poetry, nonfiction) unless applying for a genre-specific programme. Choose pieces that show your voice, willingness to experiment, and ability to revise—not just your 'best' work but your most interesting.

Related Majors

Frequently Asked Questions

What do you study in Creative Writing?

Creative Writing is the study and practice of writing as an art form — fiction, poetry, creative nonfiction, screenwriting, and playwriting. It is a workshop-based discipline where students develop their craft through guided practice, peer critique, and close study of literary models. The goal is not just to write, but to write with intention, skill, and a d…

What can you do after a Creative Writing degree?

Typical entry-level roles: Editorial Assistant, Content Writer, Copywriter, Communications Associate, Social Media Writer (starting salary $32,000–$50,000 (US) / £20,000–£28,000 (UK) / A$42,000–$55,000 (AU)). Key industries: Publishing, Media & Journalism, Advertising & Marketing, Film & Television (Screenwriting), Education (MFA teaching). Moderate—demand for strong writers is persistent across all industries, but the specific creative writing career path (publishing, literary fiction) is highly c…

Which high-school courses prepare you for Creative Writing?

Recommended IB courses: HL English A: Literature, HL English A: Language & Literature, HL Theatre (develops narrative and performative writing skills); Recommended AP courses: AP English Literature & Composition, AP English Language & Composition; Recommended A-Levels: English Literature, English Language, History or Philosophy.

Want to prepare for Creative Writing?

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