Your Speaker
Helene—BA in English Literature, McGill University; veteran English teacher, editor, and writer
- BA in English Literature, McGill University
- Veteran English teacher, editor, and writer
- Years of online English teaching and reading/writing coaching
- Long career in literature, editing, and textual analysis
About This Seminar
When many students read a novel, they’re really just “watching the story”: what did this character do, how does the plot move, how does it end. But higher-level literary reading isn’t only knowing what happened—it’s seeing how the author arranged it. Reading Pride and Prejudice, an ordinary reader might follow the relationships and the romance; a more mature reader asks further: why does this plot unfold this way, how is a character’s personality built up piece by piece, how does the social background shape their choices, what values sit behind a conflict, and how a theme emerges slowly across the whole novel rather than in a single summary line. That’s a crucial reading skill—reading a novel like a writer: not just “what does the story say,” but “why did the author write it this way?” This session uses Pride and Prejudice to show that real reading isn’t only understanding the story—it’s understanding the craft, and human nature.
What You’ll Learn
Why the same novel yields more to some readers
Some see only the story; others read out character relationships, subtext, and the author’s design.
How to read deeper meaning from five elements
Plot, character, setting, conflict, and theme.
How to read a classic through Pride and Prejudice
Using one novel to learn a method that holds up under different analytical lenses.
How to think like a skilled reader
Building the foundation for later literary reading and English writing.
Five Elements of Reading Like a Writer
Plot—Why does the story unfold this way?
Character—How is a personality built up piece by piece?
Setting—How do background and society shape a character’s choices?
Conflict—More than an argument; what values sit behind it?
Theme—Not a one-line summary, but something revealed slowly across the whole novel.
Who This Is For
Best for secondary-school students—especially as English literature study shifts from “understanding content” toward “analyzing the text.” Students who start noticing how plot, character, setting, conflict, and theme connect will have far more direction later when writing literary analysis, reading full-length novels, joining class discussion, and writing English essays.
When
Details
Platform
Tencent Meeting
Language
English
Price
S$6.60
Registration deadline
Registration closes before the session starts on July 15
Real reading isn’t just understanding the story—it’s understanding the craft, and human nature.